Lately I've been blogging more so than usual. Now, enough about me. Today I want to shine the spotlight on my dear friend and colleague Jeannette Angell. She is going to be guest-blogging today on her e-book entitled "The Crown and The Kingdom." Jeannette is a wonderful friend, and an even more wonderful writer. You can find her at jeannetteangell.com. You can download "The Crown and The Kingdom" on Amazon. Also, please follow the book on Facebook.
It is with great honor and deep humility, that I present to you my Blogger Guest of Honor: Jeannette Angell:
There’s a saying that history was written by the winners. That moves a lot of people—the poor, women, racial minorities, children, “enemies” of any given culture—right out of the limelightBut why should we care? What does it matter what happened to them—or, in point of fact, to anybody—in the past?I write a lot of fiction that take place in the past. Partly because it means I don’t have to do as much plotting: history provides us with some amazing true stories. Partly because we can best recognize what we have in common with all of humanity, our fears, passions, desires, hopes, dreams, and defeats, when they’re placed in another time from our own.
My newest book, The Crown and the Kingdom, started out as the first of those two considerations. In “doing” history at school and reading about it in my spare time, I fell in love with medieval France, especially in the later middle ages as events seemed to accelerate toward the renaissance. So I started this novel that dealt with the real conflict of 14th-century France: the struggle for temporal rule between the king of France (the crown) and the pope (the kingdom of God).
It’s gone through a lot of changes since that time, and with the changes has developed into something else, something that any modern reader can appreciate: the need for individuals to find meaning in their lives. The value of the life of an individual was a new concept in the 1300s, and no one was talking about it, but it became a vibrant part of the renaissance and my characters are beginning to see themselves as people who have rights … to hold land, to have a say in government, to fall in love with whom they choose.
The Middle Ages has become a familiar place to nearly everybody who reads or goes to the movies. Tolkien and George Martin, C.S. Lewis and Marion Zimmer Bradley have romanticized it, and yet it doesn’t need that much help: the Templars’ mysticism and secrets (made famous by The Da Vinci Code) and the intrigue of the Inquisition (explored in The Name of the Rose) are only a small part of what was happening in France at the beginning of the fourteenth century. It was a turbulent time that reads like the script for a soap opera. And while the king of France was orchestrating major events on the world stage, his four offspring were busy creating history of their own, with treason, murder, adultery and deception flourishing in Paris and London.
It was a time of unicorns and witches, of angels and demons. There was God and the Son and the Holy Mother, and the Son’s magic turned bread into flesh and wine into blood. Apple trees needed a song to make good cider, and cats sucked the breath out of babies.
It was also a time to play with power, to determine who should rule the world: king, pope, or wizard. It was a time for princesses to fall in love rashly and to marry wisely, and for fortunes to be made and reputations to be ruined.
It was 1300.
The king was Philippe IV, known as Philippe le Bel (http://en.wikipedia.org/wiki/Philip_IV_of_France), and he was responsible for instilling a sense of national consciousness in the heart of a disparate people. But if his reign was marked by triumph, it was also marred by tragedy.
The struggle between temporal and religious powers was nothing new, even in 1300, but it took Philippe's vision and ambition to create from the struggle a new sense of national identity. It was, in many real and important ways, the beginning of France.
The king was Philippe le Bel. The pope was Boniface VIII (http://en.wikipedia.org/wiki/Boniface_VIII). The argument was, originally, over royal rights to a clerical subsidy, but quickly escalated and was put to rest – from Philippe’s point of view – by the first meeting of the Estates General.
Boniface's health was failing, and in 1303 he died. He was succeeded by Clement V (http://en.wikipedia.org/wiki/Clement_V), a Frenchman, who immediately and suspiciously moved the Papal See to Avignon. The hundred-year "Babylonish Captivity" of the Church had begun.
The conflicts between the king of France and the Vicar of Christ did not end with the new papal regime. Philippe's next target was a religious order: the Templars (http://en.wikipedia.org/wiki/Templars), warrior-monks during the Crusades and the moneylenders of Europe ever since. The Templars loaned money - and the King of France owed them more money than most people could count. His debt was to cost them their existence.
Jacques de Molay (http://en.wikipedia.org/wiki/Jacques_de_Molay), Grand Master of the Order, was summoned to appear before Philippe to answer to charges of heresy. Rumors were circulating - rumors of idol worship, of black Masses, of infanticide. De Molay denied the charges and dismissed the whole affair, but the rumors persisted. Later that year Philippe made a mass arrest of all Templars in France. Confessions were exacted under torture, and the Templars were burned at the stake.
Jacques de Molay cursed his tormentor through the flames, shouting that before the year was out both the pope and the king would join him before the Heavenly Tribunal, there to stand judgment. Pope Clement had no choice but to support Philippe's actions, for to condemn the fait accompli would have been to underscore his own powerlessness.
Philippe's need for control did not stop with the papacy.
During his reign, border skirmishes with Flanders escalated into a full-scale war, a harbinger of the Hundred Years' War that was to follow. Despite remonstrations from his Council, Philippe repeatedly sent French troops into battles for which they were ill-prepared and ill-equipped, and the cost to France for her king's pride was enormous.
Nor was he in control of his own household. His three sons had had marriages arranged for them, all of them to women from Burgundy. Louis, the oldest and heir to the throne, was an imbecile; his wife, Marguerite of Burgundy, had taken a lover when she was fourteen - just months after her wedding. Her daughter, in point of fact, was born a year after that, and much later there would be doubt concerning the child's legitimacy and right to succession.
The middle son, Philippe of Poitiers, was married to Marguerite's cousin, Jeanne; this marriage was apparently welcomed by both parties and successful. The youngest son, Charles, married Blanche of Burgundy, Marguerite's sister. Irresponsible, impetuous, and indiscreet, Blanche had also taken a lover. It was then that rumors about affairs in the royal family began to circulate.
Adultery is treason when the sons of kings are being betrayed.
The rumors did not fall on deaf ears. Robert of Artois, knight in the service of the King of France, was unhappy with the royal marriages, for they had cost him a great deal of land and revenues. The marriages had been the means that Mahaut, mother of Marguerite and Blanche, had used to curry favor with the king and win a lawsuit against Robert. Seeing a means to remove Mahaut from favor, Robert took his case to England. There he persuaded Isabelle, queen of England and daughter of Philippe, to travel to her father's court and denounce the princesses.
So it was that Philippe le Bel had to sit in judgment on his daughters-in-law, and condemn them to life in prison for their treason.
He did not live long enough to regret his decision. Jacques de Molay's prediction came true: a few months after the princesses' trial, Philippe le Bel died. The mentally deficient Louis of Navarre became king upon his father's death, and his first official act was to have Marguerite of Burgundy strangled in her prison cell.
Tags: the crown and the kingdom jeannette angell historical fiction